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"EMILIO RETURNS
TO ELECTRIFY THE HIGHLAND SQUARE STREET FAIR WITH HIS UNIQUE BRAND
OF FUSION-ROCK. At last year's Highland square street fair lightning
served as the backdrop as Emilio rocked the audience, which ignored
both the lightning and the attendant downpour. It's difficult to
say whether Emilio or the lightning generated more raw energy. This
year, Emilio will once again bring his unique sound to the Highland
street fair, as part of the entertainment for the 16th annual event
to be held Sat. June 20th 1998 from 6-7pm. Emilio Dominguez-just
Emilio to his fans-learned to play guitar as he toured the country
with his parents. His Mother and Father were heavily involved in
the civil rights movement and Emilio would entertain crowds by playing
guitar between speeches. He developed his own style, which has been
described as everything from rock to blues to a fusion of the two,
though no one label can accurately describe the work of this north
denver resident. Maybe that is simply because the style keeps changing
and evolving as Emilio continues his journey through life. The North
Denver guitar Magician lists B.B. King, Jimi Hendrix and Stevie
Ray Vaughan amoung those he has emulated and been influenced by.
He also says Tommy Bolin was fundamental in his development as a
musician. Emilio got to meet Bolin when he was just 12 years old
and the experience stuck with him."I think he is where my main
influence came from," says Emilio. But inspiration is a constant
thing for Emilio. When his son was born two years ago, Emilio was
newly motivated, and found himself creating music that was spurred
by little Emilio, he even went so far as to take the newborn on
tour with him when we hit the road. Late last year, Emilio released
"Cultura" his third CD, while simultaneously re-releasing
his first two CD's: "Texas Tone" and "Beyond &
Back". Tracks from all those CDs are sure to be part of Emilio's
performance at the street fair and since no two of the guitarist's
performances are identical, there is sure to be something new for
the audience to enjoy as well. Emilio will close the street fair
with a performance on the mega bank stage."
R.W. Meddles North Denver Tribune June, 1998.
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| "Last
nights' concert at the Bluebird Theatre was awesome, full of color
and extreme energy."
quote from a happy listener/viewer.
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| "... there
is something in Emilio for a lot of different people."
Dan Flattery Theatre, and Music Magazine
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| "... y'all
rock !!!!!"
President Bill Clinton
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| "...besides
handling the group's singing, songwriting and lead guitar chores.
Dominguez flashes out the group's exuberant sound with his work of
keyboards, drums, bongos, timbales, and rototoms. Lots of musicians
tinker with extra instruments in the recording studio, but Emilio
manages to play all these devices on stage."
Mark Barsotti, Westword Magazine
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| Emilio Dominguez...
North Denver favorite Emilio to rock the Bluebird...
"This past summer when local favorite
Emilio took the stage at the Highland Square Street Fair, lightning
provided pyrotechnical backdrop to the blues/rock maelstrom emanating
from Roberto Dominguez' guitar. But who's to say whether the electrical
storm that accompanied Emilio's set was coincidental, or simply
the result of sparks thrown off by the frenetic guitar virtuoso?
Certainly not his fans, who weathered that storm, all the while
screaming for more.
For those still screaming for more, there is
good news. Emilio is back ... in a concert to promote Emilio's triple-CD
release. The three CD's being promoted include two previously released
discs: "Texas Tone" and "Beyond and Back." The
third disc in the group, "Cultura" is a new release that
features the signature guitar work for which Dominguez is know.
It's difficult to accurately put a label to Emilio's
style. Some call it rock, others blues, others a fusion of the two.
Dominguez himself likes Westword Music critic Michael Roberts' tag:
"blues-rock freakout," but even that label only goes so
far describing his genre.
"I'm very blues influenced, but it's
free blues," say Dominguez. "I like to get into a lot
of jazzy stuff. I'm into improv."
Whatever the style is called, it is one that
has evolved over the years as the result of many influences. Dominguez
lists B.B. King, Jimi Hendrix and Stevie Ray Vaughan among those
he has emulated and been influenced by.
He also says Tommy Bolin was fundamental in his
development as a musician. Dominguez got to meet Bolin when he was
just 12- years-old and says the experience stuck with him.
"I think he's where my main influence
came from," says Dominguez.
But Dominguez notes that he is still evolving
even today, and the inspiration that spurs such change can come
from some unlikely sources. For instance, Emilio III, Dominguez'
two-year-old son figured prominently in the cuts that made it to
the "Cultura" CD.
"He's one of my major influences now,"
Dominguez states bluntly. "A lot of the songs on the new album
he co-wrote. He'd hang out in his "Johnny Jumper," and
I'd play 12-string to him, and he'd move my hand to certain positions."
Dominguez says "Down By The Water"
a track on the new "Cultura" CD, bears his young son's
stamp as do other on the new release. That's not all the surprising
when you consider how important it is for the 38-year-old father/guitarist
to be near his child, even when he is on the road. To make that
possible, Dominguez travels to concert venues on a bus that has
been affectionately dubbed the "30-foot baby crib."
"He went on the road with us when
he was 10 days old," say Dominguez of his son. "I wasn't
about to leave my family and go on these tours."
The upcoming CD release performance will bring
together a number of performers who have worked with Dominguez through
the years. He will be joined by his brother, Gary Garrison, on drums
and his nephew, Jeff Anderson on bass for the November 22, 1997
show, but that's just the start. Like most bands, Emilio has undergone
personnel changes, and some of those who have been a part of the
band over the years will be there at the Bluebird to be a part of
the celebration. Tim Vigil and John Gomez, who have played with
Emilio in the past are expected for the show and even Dominguez
isn't sure who else might show up and join-in, and is even encouraging
musicians - horn players in particular - to give him a call if they
would be interested in jamming with the band.
"We're looking for some seriously
talented guys who can blow," says Dominguez. "They can
contact us on our web site.""
R. W. Meddles, North Denver Tribune, November
13, 1997
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| The blues
- you have or you don't.
"Emilio Dominguez was born with it.
His performances stir crowds to tumultuous euphoria as he strums
rhythmic blues----
Taking the stage this weekend at the Bluebird
Theater, Emilio will jam with his latest CD collection. "Beyond
And Back, Texas Tone and his latest release Cultura, all featuring
three and half hours of original live and studio recordings. The
musical brew of Emilio has a hint of Santana, Stevie Ray Vaughn
and Jimi Hendrix, but his unique soulful talent creates a powerhouse
sound that rocks the house. Chicano style. The music that drips
from the fingers of this blues master is like no other. His obvious
love for life reflects his cultured style.
Brought up in the Chicano movement, by activist
parents, Emilio journeyed across the country with his parents and
played his guitar on stage. Through these travels, he gained priceless
knowledge and pride about himself and his people. He has persevered
as a musical artist and has inspired new sounds to the blues scene.
Throughout his career, Emilio has performed with
Dick Dale, Stevie Ray Vaughn, Bo Diddly, Eddie Harris, Chuck Berry
and Al Dimiola. His second release, "Texas Tone", was
recorded while opening for Ted Nugent. Across the nation, he has
received honorable praise for his distinct talent.
Emilio is famous in Denver for his knock-out
performances a the Civic Center Cinco de Mayo celebrations each
year. His soul-wrenching performances leave audiences stomping for
more.
The boy can jam -- don't miss it!"
Chispa, Cover Story, El Semanario, November
1997
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| Artist Update...
"If you've never seen Emilio, You're
missing quite a stage show as he seamlessly switches from a guitar
to a percussion set-up mid-song. He wails on guitar and he's a smokin'
percussionist, too...
...Emilio plays what he calls a "super Strat,"
an assemblage of a Warmouth ash body, Trekker neck, and WD Dan Electro-style
'lipstick' pickups. GHS strings are an incredible .15 to .60! amplification
IS A 1960 Marshal Plexi going through a '70 Fender Vibratone (Leslie)
speaker and Fender 15 inch bottom, in addition to a '69 Fender Super
Reverb."
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| Emilio...
"Denver musician Emilio's press release
reads like a who's who in music. When he was twelve he had the unique
privilege of meeting the legendary guitarist Tommy Bolin. He has
played with B.B. King, Bo Diddly, Louis Johnson, Les Machan, and
Chuck Berry, just to mention a few. Despite the remarkable friends
he has made, Emilio keeps humble about his station in life.
"I'm a big fan of Jesus Christ,"
he tells me," Life is beautiful. I look at my baby and just
think that life is beautiful." The assumption is that Emilio
does not have the time or patience for the rigors of stardom although
it is always in the back of his mind. He does maintain a busy schedule
with regards to his music and finds that there is a demand for a
Latino rhythm and blues musician.
He also does not mind being compared to greats
like Stevie Ray Vaughn and Santana, but he is firm about his need
to preserve and distinguish his own style. During last year's Cinco
de Mayo event at Civic Center, I had the opportunity to hear Emilio
play and was impressed with how much he really does have a style
all his own. As a result, the press are beside themselves when they
attempt to make distinctions "... some nice funky workouts
with guitar work that calls to mind Hendrix, Santana, and Stevie
Ray Vaughn," says Vintage Guitar Magazine." ...a fine
gumbo of melodies, harmonies, and rhythms of blues, jazz, reggae,
and rock," says Hometown Fan. Even President Clinton has made
an effort with, "y'all rock!" Whatever the distinction,
Emilio's music has been the subject for much acclaim that can probably
be credited toward his upbringing.
Emilio's parents, Emilio & Juanita Dominguez,
were very supportive and active in the early Chicano movement. At
ten years old, Emilio would tour the country with his parents. His
father would give speeches and in between speeches, Emilio would
play his guitar. At age twelve, Emilio met Tommy Bolin. This fateful
encounter inevitably led to the style that he showcases today. Emilio's
passion for a heavy guitar sound was inspired by Bolin and his first
LP includes a Tommy Bolin tribute.
Although Emilio became used to all the attention
at a very early age, today, Emilio's private demeanor and his stage
demeanor are stark contrasts. Although his trademark half shaven
face would suggest that he is an exhibitionist, meeting him was
perhaps one of the highlights of my own life. Just before he was
to perform in front of 100,000+ crowd at Civic Center park I met
with him briefly and I was amazed how calm and warm Emilio was even
at such a presumably stressful moment. The warmth and kindness he
exuded was refreshing and almost awkward considering the moment
after our short conversation Emilio even agrees to model our t-shirt
in front of the crowd. A highly risky request on my part, but Emilio
took it in stride and seemed almost grateful to represent GM.
The fateful moment arrives and Emilio is having
the performance of his life it seems. But every performance he has
is the performance of his life. Emilio is a giver. When he is performing
he puts in 110%. It is apparent when he is almost frantically switching
from guitar to drums, drums to keyboards, and keyboards back to
guitar all within one song.
Ironically, despite Emilio's close ties with
the Denver area, he has found a closer and more faithful following
in Texas. "Texas is like my second home," he says. "I
spend a lot of time down there." When asked why he thinks there
isn't more of a demand for his music here, he is passive, but he
does refer to Denver's lagging music scene, "the people in
Texas just seem to appreciate my music more."
The unfortunate fact about Denver's music scene
is not that there isn't more of an appreciation for Emilio's music,
but that there isn't more of an appreciation for local talent, period.
Emilio is a relative unknown, but has had the wherewithal to put
out three LPs, Beyond and Back, Texas Tone (recorded live on a Texas
tour), and Emilio III, which is still in production. All of these
efforts were self-produced which invariably means that there is
a lot of out-of-pocket expense. Emilio admits that local support
is the means by which Emilio will eventually achieve the recognition
he deserves, but he makes no apologies about his need for stability.
He is not interested in being a rock star. What is most important
to him is his craft.
Emilio's style is self-described as a "unique
blend of American music consisting of rock and blues with a Latin
flair." Most notable, however, is Emilio's aversion to any
type of label. He realizes that, depending on who is doing the labeling,
they are necessary in certain respects, but he is somewhat dissatisfied
with the "Latino Musician" label. It is confining and
considering the personal inspiration he has had from Stevie Ray
Vaughn and Dick Dale it is also inappropriate. His pride in his
heritage is separate from his achievements as a musician although
he will admit that he would not be who he is today without some
influence from his politically active parents.
Emilio Roberto Dominguez is certainly on track
for a successful tenure as one of Denver's more talented musicians,
but fair warning to the lagging Denver music scene: Unless Denver
adapts, we may lose Emilio to the more accepting Texas scene."
by Esteban Peralta - Colorado's Latino Edge
- Grande Mesa!
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| Emilio Emilio...
"Funky, Latin, Blues? Chili Peppers
meets Santana meets Stevie Ray Vaughan????!!
Remember, an open mind is vital, virtuous and
rewarding. Colorado emigrant Emilio (aka E. Roberto Dominguez) and
his newly acquired Texas rhythm section, entertained and enlightened
an appreciative almost full house at the Blue Cat during their two
90 minute sets.
Jimi Hendrix, Stevie Ray Vaughan, Tommy Bolin
and Carlos Santana are a partial list of acknowledged and easy to
hear influences. Their Blue Cat sets contained only two well done
cover tunes. Most importantly, Emilio executes original material
in a novel and refreshing way, without copying or imitating anyone.
Highlights of their excellent self produced CD
Beyond & Back are numerous. "The Edge of Thunder,"
"Tommy Bolin Tribute," "I Live to Love You,"
and "Hot Tamales" will have you hitting the repeat track
button on your CD player more than once. Beyond and Back (11 songs,
57 minutes) is available at Pagan Rhythms Record store in Dallas.
In simple terms, Emilio is a blues derived power
trio . . . a common, time proven recipe. The key ingredients are
Emilio (Guitar, Vocals, Bongo, Timbales), Chuck Payne (drums) and
Branden Smith (6 string bass). However, with Chef Emilio in the
kitchen, the results are definitely not common or bland. Emilio
whips-up a tasty, Strat driven sonic feast with a unique "bet
you can't eat just one" refried groove..."
Jam Magazine
Contact Emilio Emilio: call 720.206.9553 or 303-621-6352 (cell)
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